Showing posts with label music and lyric. Show all posts
Showing posts with label music and lyric. Show all posts

May 19, 2012

Mike shinoda

Michael Kenji "Mike" Shinoda (born February 11, 1977) is a Japanese American musician, record producer, and artist. He is best known as the rapper, principal songwriter,keyboardist, vocalist and rhythm guitarist of the rock band Linkin Park. Shinoda is also noted as a solo rapper in his side-project, Fort Minor. He also provides artwork, production, and mixing for both projects. 



Early life

As per his mother's wishes, Shinoda began his classical piano training with lessons around the age of six. His enthusiasm grew eventually and at the age of thirteen, he expressed the desire to move toward playing jazz, blues, and even hip-hop.During his middle school and high school years, he added the guitar and, eventually, rap-style vocals to his repertoire.

After his teens, Mike Shinoda's rap interests found a source of encouragement in Brad Delson, with whom he started to write and record songs in a makeshift studio set up in his bedroom. Shinoda attended Agoura High School with Linkin Park bandmates Brad Delson and Rob Bourdon as well as with members of the band Hoobastank. By the end of high school, Bourdon had become involved in their musical ventures. The trio formed the band Xero, and began to make a more serious attempt to pursue a career in the music industry.

After high school, Shinoda enrolled in the Art Center College of Design to study graphic design and illustration. It was here that he made the acquaintance of DJ and turntablist Joseph Hahn, who, along with Delson's college-mate Dave "Phoenix" Farrell, was soon added to Xero's line-up. It was also here that he experienced a form of identity crisis. Years later, in an interview he said:

"I think it was probably in college that I realized that there was a difference between Japanese and Japanese-American. That's important to realize. It's not the same thing and then eventually with Linkin Park, I toured in Japan. I've been there now I think four times. I remember the first time I went, how familiar it seemed, just getting out of the plane, it smelled like my aunt's house, in the airport, it smelled like Japan. I don't know if anybody else even noticed it but I walked out of the plane and thought this is definitely familiar to me, didn't even see anything yet. And then going to Tokyo, Osaka, Kyoto,Nagoya, you just recognize things about the way people act, the small things that people do such as how you'll grab a piece of paper. There are things that are more obvious like taking somebody's business card with two hands. You don't do that in the States. When I saw somebody do that I went, "Oh yeah, my uncle always does that," you know. There are little things that culturally come from Japan but they also exist in Japanese American culture and it made me feel like the connection was there and I kind of hadn't realized how much of it was there."

Shinoda managed to graduate from college with a bachelor's degree in illustration a year in advance, securing himself a job as a graphic designer instantly.With his background as a graphic artist, Shinoda has taken it upon himself in designing all of Linkin Park's artwork with Hahn, and has even designed the album cover for Styles of Beyond's debut album, 2000 Fold. In later years he would go on to showcase his art skills;[citation needed] he had his debut art showcase (Diamonds Spades Hearts & Clubs) at Gallery 1988 in Los Angeles in the time leading up to Linkin Park's album Minutes to Midnight.



Shinoda managed to graduate from college with a bachelor's degree in illustration a year in advance, securing himself a job as a graphic designer instantly.With his background as a graphic artist, Shinoda has taken it upon himself in designing all of Linkin Park's artwork with Hahn, and has even designed the album cover for Styles of Beyond's debut album, 2000 Fold. In later years he would go on to showcase his art skills;[citation needed] he had his debut art showcase (Diamonds Spades Hearts & Clubs) at Gallery 1988 in Los Angeles in the time leading up to Linkin Park's album Minutes to Midnight.

Shinoda was born and raised in the Los Angeles suburb of Agoura Hills. His father is Japanese American and his mother is Caucasian.He also has a younger brother, Jason. Shinoda attended Parkman Elementary and Lindero Canyon Middle School.

Linkin Park

Shinoda's band brought in second vocalist Chester Bennington, replacing Mark Wakefield. From the onset, Shinoda was closely involved in the technical aspects of the band's recordings, and over the subsequent releases that role continued to expand. Shinoda, with guitarist Brad Delson, engineered and produced the band's Hybrid Theory EP, and performed similar roles in the recording of the Hybrid Theory album. Mike executively organized and oversaw the band's remix album Reanimation (2002), contributing his own production remixes that he made in his home studio for "Crawling" and "Pushing Me Away." In his spare time, he produced and performed on a song by The X-Ecutioners entitled "It's Goin' Down."

On the second Linkin Park Warner Bros. studio release Meteora (2003) Shinoda continued to expand upon his duties as a musician and studio technician/engineer. Additionally, for the backbone of the album artwork, Shinoda collaborated with graffiti artist DELTA, graphic designer Frank Maddocks, and band-mate Joe Hahn.

By the release of the Linkin Park and Jay-Z 'mash-up' album Collision Course in 2004, Shinoda's involvement in the creation of the albums continued to grow. He produced and mixed the album, which won a Grammy Award for "best rap / song collaboration" in 2006.

The band released their next album, Minutes To Midnight, on May 14, 2007. On this album, Shinoda shared a production credit with producer Rick Rubin, overseeing the musical evolution of the band's sound. This album was also the first time that Shinoda, best known for his rapping, sang a featured vocal. Mike sang in the songs "In Between" and the b-side song, "No Roads Left," as well as rapping and singing in the songs "Bleed It Out" and "Hands Held High." Despite the rarity of Shinoda-fronted singing tracks, music magazine Hit Parader ranked Mike at number 72 of the Top 100 Metal Vocalists of All Time. Mike and Rick Rubin again shared a production credit for Linkin Park's next album, A Thousand Suns, released on September 14, 2010, and Linkin Park's upcoming album, Living Things due for release on June 26, 2012.

Fort Minor

Shinoda formed a side project named "Fort Minor" between 2003 and 2004 because he could not demonstrate as much of his hip-hop background in Linkin Park. He explained the name of his project in an interview:

“ 'Fort' represents the more aggressive side of the music. 'Minor' can mean a few things: if you're talking about music theory, the minor key is darker. I wanted to name the album rather than having my name on the cover, because I want people to focus on the music, not me ”


The debut album from Fort Minor, titled The Rising Tied, was released on November 13, 2005, and includes guest appearances from Styles of Beyond, Lupe Fiasco, Common, Black Thought of The Roots, John Legend, Holly Brook, Jonah Matranga, Celph Titled, and features Jay-Z (Shawn Carter) as an executive producer.

A single was put out by the X-Ecutioners featuring Mike Shinoda, and it was called 'It's Goin Down'.

For the NBA 2006–2007 season, "Remember the Name", the second single from The Rising Tied, became the soundtrack for NBA Overtime on TNT. It was an NBA remix version, and remains the staple song for NBA on TNT to this day.Furthermore the Big East used "Remember the Name" as its theme song for the Big East Basketball Tournament in 2006.

He also scored a Top 10 smash with the surprise hit single "Where'd You Go", which peaked at #4 on Billboard Hot 100 chart.

Shinoda provided several original score selections to the 2005 MTV VMAs. Lil Jon also provided original music, but not on any of the same tracks

Fort Minor won an MTV VMA for "Best Ringtone" in 2006, and was featured in the following films and TV programs (2005–2006 and 2010): Entourage, Boston Legal, Gridiron Gang, Freedom Writers, Friday Night Lights (TV), The Karate Kid, and Numbers.

Shinoda has also continued his Fort Minor musical style in an executive producer role on the upcoming Styles Of Beyond album, "Reseda Beach" He is contributing music and vocals to the album, which was slated for release sometime in 2009. However, Styles of Beyond went under hiatus, and the album is only now being released in 2012.

Art and painting

Mike was the youngest of his graduating class from Art Center College of Design of Pasadena in 1998, with a Bachelor of Arts in Illustration. He has had a hand in most artistic facets of Linkin Park's imagery, including album artwork, band merchandise, web design, and on-stage production art.

During time off in 2003, he did a collaborative "remix" shoe for DC Shoes, remixing the "Clientele." He reworked the colors and materials for the shoe, and additionally designed all the packaging and print advertisements.The following year, he also designed a customizable Kid Robot "Munny" doll for a charity auction.

In 2004, Shinoda created a series of ten paintings which became the basis of the Fort Minor album The Rising Tied. That series became the backbone for the packaging of the album, and was featured in Shinoda's first public art show "Diamonds Spades Hearts & Clubs."[15] In addition to the ten Fort Minor pieces, the show also featured thirteen more original works and five collaborative pieces. “Diamonds Spades Hearts & Clubs” opened at Gallery 1988 on Sunday, November 19, 2006.

Additionally in 2004, Shinoda started a college scholarship at Art Center College of Design to benefit future illustration and graphic design students. Named the Michael K. Shinoda Endowed Scholarship, it is awarded based on financial need and merit. The scholarship was awarded for the first time in 2006.The scholarship fund is made possible through the sale of his original artwork on his website, art shows and his DC Shoes projects.

2008 has proved to be a busy year thus far artistically for Mike. On July 11, Shinoda’s second public art show “Glorious Excess (BORN)” premiered at the Japanese American National Museum in Los Angeles. The show included nine new pieces, with an exclusive signing on opening night. The show served as part one of the “Glorious Excess” two-part series, with the second installment “Glorious Excess (DIES)” due at JANM at August 22, 2009.

Concerning the inspiration behind the Glorious Excess series, Mike stated that it:

"Got to a point where the pervasiveness of “celebrity news” concerned me. It seemed like it has jumped out of its niche into places where it doesn’t belong. I would be watching the news, and thinking, “of all the things going on in the world right now, why are they covering so-and-so’s breakup?” It didn’t make sense to me. Add to that the fact that I’m supposed to somehow “belong” to that celebrity group—and I really don’t feel like I do in a lot of ways—and you can see how the topic started to become really interesting to me. The Glorious Excess (BORN) show was my way of diving into those topics, trying to find answers. It follows a central “celebrity” character, who is filthy rich, slightly violent, and famous without any particular skill or talent."

Also in 2008, Mike partnered up with DC Shoes again on a second DC Remix Series project. The project would feature a "great juxtaposition of Mike's unique influences: accomplished artist versus recording-breaking musician, American upbringing versus Japanese heritage." The MS/DC limited edition remix has two different versions – Xander and Pride. Roughly 2000 pairs of the limited edition shoes were made available for purchase when the sneaker was released on August 1, 2008.

In an interview with Sneaker Freaker Magazine, Shinoda had this to say about the latest DC Shoe project:

"This remix is a little slimmer than most of DC’s skate shoes; the Xander feels almost like the skate shoes I grew up wearing in the late 80s. But the art brings it up to date—my work is laser-etched into the panels on the side of the shoe, and the sole is a clear gum sole with a koi fish pattern, and four-color artwork beneath. That way, when you’re walking, and your foot lifts up, it’s a little surprise under there. We also took the time to add extra padding and a satin inner lining to make it as comfortable as possible. They come with three pairs of lightly waxed laces instead of two, because I like to flip up the look sometimes. Each pair also comes with a booklet of my art."


Production

Shinoda produced The Rising Tied, the debut album by his side-project Fort Minor. He has also produced tracks for albums by Lupe Fiasco and Styles of Beyond, as well as producing or co-producing all of Linkin Park's non-studio albums, including Reanimation,Hybrid Theory EP, the collaborative EP with Jay-Z, Collision Course, and for the first time producing a studio album in 2007, the group's third studio release Minutes to Midnight. In 2004 Shinoda, with drumming assistance by band mate Rob Bourdon, remixed "Enjoy the Silence" by Depeche Mode. Shinoda and Bourdon again teamed up in 2008 to create an instrumental piece entitled "Lockjaw" while previewing Digidesign's Pro Tools 8 software. Some other notable production credits include:

  • Styles of Beyond – "Marco Polo" (from the album 2000 Fold)
  • The X-Ecutioners – "It's Goin' Down" (from the album Built from Scratch)
  • Depeche Mode – "Enjoy the Silence 04" (remixed and produced)
  • Lupe Fiasco – "The Instrumental" (from the album Lupe Fiasco's Food & Liquor)
  • Styles of Beyond featuring Celph Titled – "You Cannot Fuck With This" (from the Razor Tag mixtape)
  • Styles of Beyond – "Hard [MS Remix]" (from the Razor Tag mixtape)
  • Styles of Beyond – "Second To None" (from the upcoming album Reseda Beach)
  • "My December" – Linkin Park
  • "High Voltage" – Linkin Park
  • Reanimation – Linkin Park
  • "What I've Done (Distorted Remix)" – Linkin Park
  • Scored the 2005 MTV VMAs (contributed all original music)
  • "Fort Minor: We Major" Mixtape – including S.C.O.M., Bloc Party, Dolla, 100 Degrees, Spraypaint & Inkpens (feat. Lupe Fiasco and Ghostface Killah)
  • Busta Rhymes feat. Linkin Park – "We Made It" (co-produced with Cool & Dre)
  • "L.O.A.T.R." (M. Shinoda Remix) – Linkin Park
  • "Lockjaw" – Linkin Park
  • "Death to Analog" (Mike Shinoda Remix) – Julien-K (from the album Death To Digital)
  • "New Divide" – Linkin Park
  • "Gold Guns Girls" (Mike Shinoda remix) – Metric
  • "Shoot First" – Apathy
  • "Resurrection" – Lupe Fiasco & Kenna
  • "Never Let Me Down" – Kenna
  • "Not Alone" – Linkin Park (From Download to Donate for Haiti, an initiative by Music For Relief)
  • Cypress Hill – "Carry Me Away" (from the album Rise Up)
  • "Linkin Park: 8-Bit Rebellion!" – composed 8-bit soundtrack
  • "Issho Ni" for Download To Donate for Japan, a charity contribution for the 2011 Japan earthquake
  • "Razors.Out" (with Joe Trapanese and Chino Moreno) from the movie The Raid: Redemption.
  • "Suicide Music" (with Joe Trapanese and Get Busy Committee) from the movie The Raid: Redemption - also composed the score for the film with Joe Trapanese
.

Other musical activities

In 2004, Mike Shinoda remixed Depeche Mode's Enjoy the Silence. The remix was the only single from Depeche Mode's albumRemixes 81-04. He added Linkin Park's nu metal sound to the original song. A music video was made for the remix. In 2005, Mike hosted the Rock Phenomenon Mixtape CD with DJ Vlad and Roc Raida. The CD is the first (and to date, only) in DJ Vlad's Rock Phenomenon series (which itself is a spin-off of Vlad's Rap Phenomenon Mixtape series), and features a Mash-Up of Linkin Park's Papercut, and David Banner's Like a Pimp (Remix). The Mixtape was re-released on July 10, 2007, with new artwork.
In October 2008 Mike and Mark Wakefield, former vocalist of Linkin Park back when they were named Xero, recorded and released the song "Barack Your World" under the name White Pegacorn. For the 2006 Grammy awards, Mike and Brad Delson assembled the mashup track of Numb/Encore and "Yesterday" by The Beatles to be performed live by Jay-Z, Linkin Park and Paul McCartney.
Mike scored the MTV VMAs in 2005. Lil’ Jon also contributed, but they did not collaborate; The tracks were separate. Mike was an honorary parade marshall in Los Angeles Nisei Week, 2005. Mike was awarded the Japanese American National Museum’s Award of Excellence in 2006. Mike and Joseph Trapanese worked together to create a new score for the American release of the 2011 film The Raid.

Influencens

Shinoda's musical influences and favorites include Deuce (of Hollywood Undead), U2, The Police, Eminem, Rio, Boogie Down Productions, Led Zeppelin, Nine Inch Nails, Dr. Dre, and Owen Coughlan. As a visual artist his influences include Mark Ryden, Corey Sandelius and Banksy.

Personal life

Mike Shinoda has been married to children's author Anna Hillinger since May 10, 2003. The couple have one child, a son named Otis Akio Shinoda. According to Shinoda, the Fort Minor song "Where'd You Go" was written about Hillinger. In an interview talking about his song "Kenji" from the Rising Tied album, he revealed that his father was born during the Second World War. Shinoda is a third generation Japanese American. His father was born in the United States and was interned during World War II. In 2009, Shinoda received an Honorary Doctorate of Humane Letters (H.D.L) from Art Center College Of Design. EWP honored Shinoda with a Visionary Award and dinner in 2010.

Apr 8, 2012

"Domino" - Jessie j





I'm feeling sexy and free
Like glitter's raining on me
You're like a shot of pure gold
I think I'm 'bout to explode

I can taste the tension like a cloud of smoke in the air
Now I'm breathing like I'm running cause you're taking me there
Don't you know? You spin me out of control

Ooh, ooh, ooh, ooh
We can do this all night
Damn this love is skin tight
Baby, come on
Ooh, ooh, ooh, ooh
Boom me like a bass drum
Sparkin' up a rhythm
Baby, come on!
Ooh, ooh, ooh, ooh

Rock my world into the sunlight
Make this dream the best I've ever known
Dirty dancing in the moonlight
Take me down like I'm a domino

Every second is a highlight
When we touch don't ever let me go
Dirty dancing in the moonlight
Take me down like I'm a domino

You got me losing my mind
My heart beats out of time
I'm seeing Hollywood stars
You strum me like a guitar

I can taste the tension like a cloud of smoke in the air
Now I'm breathing like I'm running cause you're taking me there
Don't you know? You spin me out of control

Ooh, ooh, ooh, ooh
We can do this all night
Damn this love is skin tight
Baby, come on
Ooh, ooh, ooh, ooh
Boom me like a bass drum
Sparkin' up a rhythm
Baby, come on!
Ooh, ooh, ooh, ooh

Rock my world into the sunlight
Make this dream the best I've ever known
Dirty dancing in the moonlight
Take me down like I'm a domino

Every second is a highlight
When we touch don't ever let me go
Dirty dancing in the moonlight
Take me down like I'm a domino

Ooh, baby, baby, got me feeling so right
Ooh, baby, baby, dancing in the moonlight
Ooh, baby, baby, got me feeling so right
Ooh, baby, baby, dancing in the moonlight
Ooh, baby, baby, got me feeling so right
Ooh, baby, baby, dancing in the moonlight
Ooh, baby, baby, got me feeling so right
Ooh, baby, baby

Ooh, ooh, ooh, ooh
Rock my world into the sunlight
Make this dream the best I've ever known
Dirty dancing in the moonlight
Take me down like I'm a domino

Every second is a highlight
When we touch don't ever let me go
Dirty dancing in the moonlight
Take me down like I'm a domino

"Who's Laughing Now" - Jessie J




Mummy they called me names
They wouldn't let me play
I'd run home, sit and cry almost everyday
"Hey Jessica, you look like an alien
With green skin you don't fit in this playpen"
Oh they pulled my hair
They took away my chair
I'd keep it in and pretend that I didn't care
"Hey Jessica, you're so funny
You've got teeth just like Bugs Bunny"

Oh, so you think you know me now
Have you forgotten how
You would make me feel
When you dragged my spirit down?
But thank you for the pain
It made me raise my game
And I'm still rising, I'm still rising

Yeah Yeah

So make your jokes
Go for broke
Blow your smoke
You're not alone
But who's laughing now
But who's laughing now
So raise the bar
Hit me hard
Play your cards
Be a star
But who's laughing now
But who's laughing now

Cause I'm in L.A
You think I've made my fame
FB makes us friends
When you only really know my name
"Oh Jessie, we knew you could make it
I've got a track and I'd love you to take it"
So now because I'm signed
You think my pockets lined
4 years now and I'm still waiting in the line
'Oh Jessie, I saw you on YouTube
I tagged old photos from when we was at school'

Oh, so you think you know me now
Have you forgotten how
You would make me feel
When you dragged my spirit down?
But thank you for the pain
It made me raise my game
And I'm still rising, I'm still rising

Yeah Yeah

So make your jokes
Go for broke
Blow your smoke
You're not alone
But who's laughing now
But who's laughing now
So raise the bar
Hit me hard
Play your cards
Be a star
But who's laughing now
But who's laughing now

Jessie
She broke out of the box
Swallowed your pride
You got that ego cough
Let the haters hate
You're like way too late
Click click to see I got a message from you
"Hola, I'm proud of you"
"Oh my God babe your voice is like wow! "
My reply: Who's laughing now?

Oh, so you think you know me now
Have you forgotten how
You would make me feel
When you drag my spirit down?
But thank you for the pain
It made me raise my game
And I'm still rising, I'm still rising
Yeah

So make your jokes
Go for broke
Blow your smoke
You're not alone
But who's laughing now
But who's laughing now
So raise the bar
Hit me hard
Play your cards
Be a star
But who's laughing now
But who's laughing now

So make your jokes
Go for broke
Blow your smoke
You're not alone
But who's laughing now

(Hey, hey. Who's laughing?)
But who's laughing now

(Who's laughing?)
So raise the bar
Hit me hard
Play your cards
Be a star
But who's laughing now

Who's laughing, laughing now?

Who's laughing, laughing now?
Who's laughing, laughing now?
Who's laughing, laughing now?

Who's laughing, laughing now?
Who's laughing, laughing now?

Who's laughing, laughing now?

"Nobody's Perfect" - Jessie J


 

When I'm nervous I have this thing, yeah, I talk too much
Sometimes I just can't shut the hell up
It's like I need to tell someone, anyone who'll listen
And that's where I seem to fuck up

Yeah, I forget about the consequences
For a minute there I lose my senses
And in the heat of the moment my mouth starts going
The words start flowing, oh

But I never meant to hurt you
I know it's time that I learned to
Treat the people I love like I wanna be loved
This is a lesson learned

I hate that I let you down
And I feel so bad about it
I guess karma comes back around
'Cause now I'm the one that's hurting, yeah

And I hate that I made you think
That the trust we had is broken
Don't tell me you can't forgive me
'Cause nobody's perfect
No, no, no, no, no, no, no, nobody's perfect, no

If I could turn back the hands of time
I swear I never would've crossed that line
I should of kept it between us
But, no, I went and told the whole world how I feel and oh

So I sit and I realize
With these tears falling from my eyes
I gotta change if I wanna keep you forever
I promise that I'm gonna try

But I never meant to hurt you
I know it's time that I learned to
Treat the people I love like I wanna be loved
This is a lesson learned

I hate that I let you down
And I feel so bad about it
I guess karma comes back around
'Cause now I'm the one that's hurting, yeah

And I hate that I made you think
That the trust we had is broken
So don't tell me you can't forgive me
'Cause nobody's perfect
No, no, no, no, no, no, no, nobody's perfect

I'm not a saint, no, not at all, but what I did, it wasn't cool
But I swear that I'll never do that again to you, oh
I'm not a saint, no, not at all, but what I did, it wasn't cool
But I swear that I'll never do that again to you, yeah

I hate that I let you down
And I feel so bad about it
I guess karma comes back around
'Cause now I'm the one that's hurting, yeah

And I hate that I made you think
That the trust we had is broken
So don't tell me you can't forgive me
'Cause nobody's perfect, no

I hate that I let you down
And I feel so bad about it
I guess karma comes back around
'Cause now I'm the one that's hurting, yeah

And I hate that I made you think
That the trust we had is broken
So tell me you can forgive me
'Cause nobody's perfect, yeah, yeah, whoa

Don't tell me, don't tell
Don't tell me you can't forgive me
No, no, no, no
'Cause nobody's perfect, no

Apr 7, 2012

Linkin Park’s Mike Shinoda On Scoring “The Raid: Redemption,” And How It Will Shape The Band’s Next Album

Linkin Park’s Mike Shinoda talks about his first experience scoring a film, how his band became the biggest on Facebook (with 40 million "likes"), and what online innovations fans should expect from their next album.

Not only is Mike Shinoda the principal songwriter, keyboardist, and sometime vocalist for Linkin Park, he also oversees the alt-rock/rap/metal outfit’s studio production, merchandising artwork, and online presence--an effort that has made the band one of the most popular on Facebook. Now, as Linkin Park is at work on its fifth studio album (expected later this year), Shinoda talks to Co.Create about composing the score--his first--for The Raid: Redemption. The Indonesian fight flick opened in select cities recently to mostly positive reviews and strong box office and marks another side project for Shinoda (see Fort Minor), one that he says taught him plenty of things to bring back to the band.

Mike shinoda


Less Second-Guessing, More Working
Shinoda was surprised that Raid director Gareth Evans was so hands-off; he left Shinoda and his composing partner Joe Trapanese alone for a month at a time without checking in. “It’s crazy to think about it,” says Shinoda. “You do all this work and if we had played it for him and he said he really didn’t like a lot of it we would have wasted a whole month--and we only had three months to do it.” But the songwriter was surprisingly happy with this way of working. “I was finding that we get further faster, we get better results faster.” So he has now applied that to his process with Linkin Park: “I went back in the studio with the guys a few months ago and I said, 'This is what I want to do--I want to apply this.' We usually get together once a week to criticize stuff. Instead of getting together to do that, we got together to just work. There was no ‘I don’t like this.’”
And he really liked that. “I enjoyed being able to get further on something before second-guessing it or before questioning where we were. I feel like sometimes with [only] a few days’ work on something you don’t realize how good it’s going to get in a few more days.”

Picking The Right Project
He’d been asked to work on films before (Linkin Park contributed some songs to the Transformers movies) but usually the approach hadn’t worked for him. “They would come to me and say, ‘Hey, we would like to have Linkin Park in our movie and we’ll make your name really big on it!’ That’s the opposite of what I want to do. Usually when they are saying that [they mean], ‘Hey we are going to have someone else score the movie and then you’re going to throw some guitars on it and Linkin Park fans will be all into it.’ But Linkin Park fans will [actually] say, ‘That’s lame, that’s not what we came to hear.’”
This one felt different from the start. “These guys called me and said, ‘We really love Linkin Park, and we love Fort Minor, and we love the remixes you’ve done.’ They got a lot of the stuff I do for fun."

And it was an environment in which he could learn and grow. "This is the director’s second movie ever, and I figured I could kind of work through some mistakes and it would be okay. He’s growing, I’m growing, I’m figuring it out." To that end, Shinoda hired Trapanese, who had worked with Daft Punk on scoring Tron, to be his composing partner. “He was honestly the guy with [the most] classical background, in composition, arranging, and stuff like that that could get me through the work flow,” Shinoda explains.

"This is a score," he says. "It’s not like beats and tracks that just matched up with the movie. I really wanted to approach it from a more traditional way even though the music is very nontraditional, so adding vocals and stuff like that over the top of some of this stuff would be really distracting." And it’s nothing like what he normally does. "I’m used to writing like stuff that I would want to hear when it comes on the radio. I want it to grab you and pull you into the song and pay attention." But in scoring The Raid, he let that come from the script, the actors, the director. "I’ve got a supporting role, so as soon as I started doing stuff that I would normally do on a song, it’s very distracting. So I had to turn that down a lot in making this."

Unlike an American movie, which would start off with an over-the-top action sequence and then spend two hours trying to top it, The Raid--a brutal, intricately choreographed fight film--has a slow build. That let Shinoda slowly build his musical arsenal. "It’s like a video game, where he starts at the lowest level and as he goes up, it’s tougher and tougher, and ultimately what happens they run out at first with guns. It definitely gets more chaotic as it goes. At the beginning the earliest cues are more rigid, and as soon as they’re in SWAT team mode, everything is very digital and rigid and precise, because that’s how they’re operating. As soon as they start to get picked off and it’s chaos, you get a lot more big drum instruments. But it’s not like you put it straight on the beat, like you can do with all your hits, but we left a feel in there so you can hear the drums kind of collapsing on themselves. It just seemed like that was what they were going through." Rather than assigning a theme to each character, as John Williams did in Star Wars, Shinoda decided that some characters would have a particular sound. "Every time you see this one character or somebody is thinking about a character, it’s like a subliminal thing that we give you a hint of that sound and then you feel them." 

Linkin Park And Social Media
Early on, Shinoda and his friends decided to spell the band’s name as they did in order to be able to secure their URL--and that was back in the mid-1990s. So it only follows that Linkin Park would have a strong presence online. Shinoda is proud to have the biggest fanbase of any band on Facebook, but he claims to not know how they did it. "If I knew exactly what it was, I definitely wouldn’t tell anybody about it," he says, smiling. Still, he acknowledges many of the things that he and his bandmates Brad Delson and Rob Bourdon do right. "We interact frequently with the fans," he says. "And it’s really coming from us--either it’s something I wrote in an email to someone who posted it, or I logged in and posted it myself, and fans know it. A lot of artists are too busy to do it themselves."
"On the last record, A Thousand Suns, we teamed up with MySpace, we teamed up with a company called Indaba, and we released some of the portions of the stems to our single before the single had ever come out," Shinoda explains. "So the first thing that our fans--and there’s a lot of them, and they are rabid--got wasn’t the single, they got little stems of a drum track and a vocal. They were isolated and they didn’t add up to the song. So we told them, now you take those, remix them, make them into something by adding your own stuff and doing whatever, and submit them to us and whoever wins is going to win something great. The guy that won is a kid from Poland, who even though he had not heard any of our record, his sound, what he put together, just clicked, it made sense. And the prize: We invited him to basically be an artist on the record. We put him on the record, worldwide, every copy of A Thousands Suns everywhere in the world, the end of the song 'When They Come for Me,' is done by Linkin Park and this kid who goes by the name No Brain. Our feeling was like, for a fan, what could be a better prize?" And although they had thousands of participants, Shinoda thinks it wasn’t big enough. Here’s why: "The description I just gave you is very wordy and long, and in order to communicate that story, I have to tell the story, but it doesn’t fit into 140 characters. And that’s what we learned. We learned that in this day and age, it’s got to be a great experience and a great story in the long form, but it’s also got to be able to fit into the short form, too, which that particular contest didn’t." 

What’s Next…

"I’m really excited for people to see what the online component of the release of this next record is going to be. It’s not fully formulated yet, but it’s going to be great. I think the art is just going to blow them away, because there is a tech aspect to the actual art of the album that is very cutting edge and to me it’s mind-blowing. This is stuff that without giving it away at this point, I know I have not ever seen this done anywhere and maybe it’s too subtle for most people to get. So there’s going to be that. In addition to that, we hope that the roll out of the record has something that can excite the fan base in an active way."
He won’t give real details beyond that, but he will say this: "It’s more than making a viral video. I mean, anyone can make a viral video."


by: 

Mar 26, 2012

is anybody out there - knaan feat Nelly Furtado

Hey friends! what's up?! been good? here's i just wanna give you a song which i love!

but before that may i ask you about....
ehmmm..
Do you ever feel so alone?
No one there to catch you in their arm?
and you had no where to go? 
or even something just didn't feel right?
you've been down on your luck and feel like giving up? 

you need the reason to live!?

i think that's all just
.....HUMAN BEING......
i do feel the same, sometimes.. no problem

see this video,, which one of my favorite song
i bet everyone ever feel like this.. go check this out! 
you would love it! i watch this video over and over again :)



written by Knaan.. genius!

here's the lyric..

[Nelly Furtado]
I don’t wanna be left
In this war tonight
Am i alone in this fight?
Is anybody out there?

Don’t wanna be left left in this world behind
Say you’ll run to my side

[K’Naan]
Something ’bout Mary
Never won a pageant
Never felt pretty
Never looked like Cameron
Diaz was her last name
Always been abandoned
Keep your head up

Baby girl this is your anthem
There goes Hannah
Showin’ off her banner
Rocking that crown
Make them boys go bananas
When you’re insecure about yourself
It’s a fact
You can point a finger
But there’s three pointing back
I can see her crying out, yeah
Is there anybody out there?

She’s really counting on your love
Still struggling uphill
But you act like you don’t care
Right now she could really use a shoulder
Hanging onto the edge til it’s over
She’s crying for your love tonight
Loneliest heart to survive, she said

[Nelly Furtado]
I don’t wanna be left
In this war tonight
Am i alone in this fight?
Is anybody out there?

Don’t wanna be left left in this world behind
Say you’ll run to my side
Is anybody out there? yeah, yeah, yeah

Is anybody out there?
(somebody, anybody)

[K’Naan]
His name was Adam
When his mom had him
Dad was a phantom never took a look at him
Grew up mad and antisocial

Hated outdoors, always in playing madden
Adam was lonely
Drugs were the only
Way out of his own life
Now he’s slowly losing his fire
Close to retire
With one last hope he puts his arms up higher
I can see him crying out, yeah
Is anybody out there?

He’s really counting on your love
Still struggling uphill
But you act like you don’t care
Right now he could really use a shoulder
Hanging onto the edge til it’s over
He’s crying for your love tonight
Loneliest heart to survive, he said

[Nelly Furtado]
I don’t wanna be left
In this war tonight
Am i alone in this fight?
Is anybody out there?

Don’t wanna be left left in this world behind
Say you’ll run to my side
Is anybody out there?

[bridge]
If you feel the way i feel
Like you’ve been talking to yourself
Well this one’s for everyone who’s felt invisible
Lonely in a crowded room
Searching for someone like you
Can’t do it all alone (no one can baby)
Can’t do it all alone (no one should baby)
Is anybody out there?
(somebody, anybody)
Is anybody out there?
I’m right here for your
Is anybody out there?

[outro]
I don’t wanna be left
In this war tonight
Am i alone in this fight?
Is anybody out there?
Don’t wanna be left left in this world behind
Say you’ll run to my side
Is anybody out there? yeah, yeah, yeah
I don’t wanna do it all alone
I need your love to take me home
No one said you should be all alone
I’m right here
Is anybody out there?

cool isn't it?? what do you think??

Dec 19, 2011

Linkin Park mengcover Lagu Adele

Kali ini saya akan menunjukan salah satu kehebatan grup band favorite saya, yup Linkin Park. dalam festival iTune 2011 di Inggris. Grup band ini Membawakan lagu Adele yang berjudul "Rolling in the deep" dengan versi mereka sendiri dan hasilnya WOW!! menurut saya sangat keren dan menyentuh, bahkan versi Adele sendiri yang original menurut saya kalah jauh di banding yang Linkin Park bawakan. Entah ini karena saya pecinta Linkin Park sehingga saya bilang gitu kalau tidak percaya silahkan lihat versi linkin park di bawah ini.




Bagaimana menurut pendapat anda? menakjubkan bukan?. mereka hanya latihan 2 jam untuk lagu ini, mereka secara mendadak ingin membawakan lagu ini tanpa latihan terlebih dahulu. bisa di lihat chester masih tidak hafan dengan lirik lagu ini dan sesekali melihat catatan lirik di bawah soundsytem nya. they're awesome!!


"Rolling In The Deep"

There's a fire starting in my heart
Reaching a fever pitch, it's bringing me out the dark
Finally I can see you crystal clear
Go ahead and sell me out and I'll lay your ship
[shit] bare
See how I'll leave with every piece of you
Don't underestimate the things that I will do

There's a fire starting in my heart
Reaching a fever pitch
And it's bringing me out the dark

The scars of your love remind me of us
They keep me thinking that we almost had it all
The scars of your love, they leave me breathless
I can't help feeling
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it to the beat
(Tears are gonna fall, rolling in the deep)

Baby, I have no story to be told
But I've heard one on you
And I'm gonna make your head burn
Think of me in the depths of your despair
Make a home down there
As mine sure won't be shared

(You're gonna wish you never had met me)
The scars of your love remind me of us
(Tears are gonna fall, rolling in the deep)
They keep me thinking that we almost had it all
(You're gonna wish you never had met me)
The scars of your love, they leave me breathless
(Tears are gonna fall, rolling in the deep)
I can't help feeling
We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it to the beat
(Tears are gonna fall, rolling in the deep)
Could have had it all
Rolling in the deep
You had my heart inside of your hand
But you played it with a beating

Throw your soul through every open door
Count your blessings to find what you look for
Turn my sorrow into treasured gold
You'll pay me back in kind and reap just what you sow

(You're gonna wish you never had met me)
We could have had it all
(Tears are gonna fall, rolling in the deep)
We could have had it all
(You're gonna wish you never had met me)
It all, it all, it all
(Tears are gonna fall, rolling in the deep)

We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)
And you played it to the beat
(Tears are gonna fall, rolling in the deep)

We could have had it all
(You're gonna wish you never had met me)
Rolling in the deep
(Tears are gonna fall, rolling in the deep)
You had my heart inside of your hand
(You're gonna wish you never had met me)

But you played it
You played it
You played it
You played it to the beat.



Jika masih tidak percaya ini saya tunjukan versi aslinya Adele,, silahkan bandingkan sendiri, terimakasih.

Puede ser -El Canto Del Loco








No sé si quedan amigos
Ni si existe el amor
Si puedo contar contigo
Para hablar de dolor
Si existe alguien que escuche
Cuando alzo la voz
Y no sentirme sóla

Puede ser que la vida me guíe hasta el sol
Puede ser que el mal domine tus horas
O que toda tu risa le gane ese pulso al dolor
Puede ser que lo malo sea hoy

Naces y vives solo
Naces y vives solo
Naces y vives solo hoy

Voy haciendo mis planes
Voy sabiendo quien soy
Voy buscando mi parte
Voy logrando el control
Van jugando contigo
Van rompiendo tu amor
O van dejándote solo

Naces y vives solo
Naces y vives solo
Naces y vives solo hoy

Algo puede mejorar
Algo que pueda encontrar
Algo que me dé ese aliento
Que me ayude a imaginar
Y yo lo quiero lograr
Y sólo quiero recordar
Y darle tiempo a este momento
Que me ayude a superar
Que me dé tu sentimiento

Puede ser que la vida me guíe hasta el sol
Puede ser que el mal domine tus horas
O que toda tu risa le gane ese pulso al dolor
Puede ser que lo malo sea hoy

Puede ser que la vida me guíe hasta el sol
Puede ser que el mal domine tus horas
O que toda tu risa le gane ese pulso al dolor, al dolor, al dolor, al dolor..

Algo puede mejorar
Algo que pueda encontrar
Que me ayude a imaginar
Y yo lo quiero lograr



Note: saya memang pencinta lagu spanish dan khususnya grup band ini,, saya mengetahui grup band ini sekitar 4 tahun lalu dari idola saya yang juga menyukai grup band ini,, yup Jorge Lorenzo. saya juga banyak belajar beberapa kata dari lagu-lagu asing yang bukan cuma inggris saja. tetapi sebagian besar inggris,spanyol kemudian itali :) saya sangat suka belajar bahasa. berikut ini saya lampirkan terjemahan lagu ini. lagu ini sangat bagus dan merupakan lagu yang paling saya sukai, saya suka grup band ini karena mendengarkan lagu ini. sebenarnya lagu ini di release pada tahun 2002 dari album A contracorriente (2002)
tetapi saya baru tahu pada taun 2007 . lagu ini tentang seseorang yang mencari  jati diri dan memaknai  arti dari sebuah kehidupan ini :) please enjoy.

I do not know if they are friends
Or if there is love
If I can count on you
To speak of pain
If there is someone to listen
When I raise my voice
And do not feel alone

Life might lead me to the sun
It may be that evil dominate your hours
Or that all your laughter will win the pulse of pain
It may be that evil is today

You are born and live alone
You are born and live alone
You are born and live alone today

I'm making my plans
I knew who I am
I'm looking for my part
I'm gaining control
Van playing with you
Van breaking your love
Or will leaving you alone

You are born and live alone
You are born and live alone
You are born and live alone today

Something can improve
Something you can find
Something to give me that encouragement
Help me to imagine
And I want to achieve
And I just want to remember
And give time to this time
Help me to overcome
Give me your feeling

Life might lead me to the sun
It may be that evil dominate your hours
Or that all your laughter will win the pulse of pain
It may be that evil is today

Life might lead me to the sun
It may be that evil dominate your hours
Or that all your laughter will win the pulse of pain, pain, pain, pain ..

Something can improve
Something you can find
Help me to imagine
And I want to achieve

Dec 7, 2011

Never Alone


Lady Antebellum ft Jim Brickman




May the angels protect you, trouble neglect you
And heaven accept you when it's time to go home
May you always have plenty, the glass never empty
And know in your belly, you're never alone

May your tears come from laughing, you find friends worth having
As every year passes, they mean more than gold
May you win and stay humble, smile more than grumble
And know when you stumble, you're never alone

Never alone, never alone
I'll be in every beat of your heart when you face the unknown
Wherever you fly this isn't goodbye
My love will follow you, stay with you, baby, you're never alone

Well, I have to be honest as much as I wanted
I'm not gonna promise that cold winds won't blow
 So when hard times have found you and your fears surround you
Wrap my love around you, you're never alone

Never alone, never alone
I'll be in every beat of your heart when you face the unknown
Wherever you fly this isn't goodbye
My love will follow you, stay with you, baby, you're never alone

May the angels protect you, trouble neglect you
And heaven accept you when it's time to go home
So when hard times have found you and your fears surround you
Wrap my love around you, you're never alone

Never alone, never alone
I'll be in every beat of your heart when you face the unknown
Wherever you fly, this isn't goodbye
My love will follow you, stay with you, baby, you're never alone
My love will follow you, stay with you, baby, you're never alone


Note: 



This song i dedicated for my Idol, Jorge Lorenzo. He’s not only an idol for me but also my dream. Jorge, you’re never alone, i keep my faith on you. When hard time comes to you just remember i still here to support you, watching you to get back and stand up again. Never alone you never alone, jorge.

Nov 2, 2010

Zapatillas

Estoy cansado, de salir de noche y ver siempre la misma gente
estoy flipando, de que la gente se invente cuentos y luego reinvente
apoltronado, en el sofa de mi casa, vente se esta caliente
amaestrados, vamos al mismo sitio todos aunque luego ni entres
alucinando, de que me miren de arriba abajo como un delincuente
intoxicado de que me pongan esa **** musica indiferente

Quiero entrar en tu garito con zapatillas, que no me miren mal al pasar
estoy cansado de siempre lo mismo, la misma historia, quiero cambiar
me da pena tanta tonteria quiero un poquito de normalidad
pero a ver, mírame y dime tronco, no veo mi sitio y no puedo aparcar

Estoy muy harto de que me digan, si no estas en lista no puedes pasar
solo entran cuatro, tenemos zona supermegaguai y nunca la versa
abarrotado, hay aforo limitado y ahora toca esperar
y...y... nos han multado y tu coche se ha llevado la grúa municipal

Ya has aparcado el coche y ahora busca el ticket de la hora
y cuando vuelvas a ponerlo te habran puesto una receta de recuerdo


translate in english.. :)

I’m tired, for going out at night and seeing always the same people
I’m crazy, of them who invent stories and after reinvent (invent again)
Lazing, in the couch of my house, come is getting hot
Trained, we all go to the same place however after you don’t enter
hallucinating, of them who look me from the top to bottom like a delinquent
intoxicated when they put to me this indifferent ***** music

I want to enter to your gambling club with slippers, don’t watch me badly when I pass
I'm tired of the same things always, the same story, I want to change
I pain with such foolishness I want a little bit of normality
But let’s see, look at me and tell me trunk, I don’t see my place and I cannot park

I’m very angry when they say to me, if you’re not in the list you cannot pass
Only they enter four, we have zone of supermegaguay and you’ll never see it
Full up, there is limited gauging and now you have to hope
and…and…they have given fine to us and the municipal crane has taken your car

Already you have parked the car and now look for the ticket of the hour
And when you will return to put it they will put you a ticket

song by el canto del loco..


-viahzrdous99-